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Twin Peaks centers on the investigation into the murder of schoolgirl Laura Palmer Sheryl Lee , in the small rural town in Washington state after which the series is named.
Meanwhile, Cooper's cynical colleague Albert Rosenfield Ferrer arrives in town, and Cooper has a strange dream that elevates the murder investigation to a new level.
It has since influenced, and been parodied by, several subsequent television series. Academic readings of the episode have highlighted its depiction of heuristic , a priori knowledge, and the sexual undertones of several characters' actions.
However, other inhabitants of the town have their own suspicions: the violent, drug-dealing truck driver Leo Johnson Eric Da Re is seen as a possible suspect.
The brothers share brie and butter baguettes while Ben tells Jerry of Laura Palmer's murder and the failing of the Ghostwood project.
They decide to visit One Eyed Jacks, a casino and brothel across the Canada—US border , where Ben wins a coin flip to determine who will be the first to sleep with the newest prostitute.
Leo also hints that he suspects someone has been sleeping with his wife Shelly Mädchen Amick , then scares the pair off.
When Bobby visits Shelly at her home the next day, he discovers that Leo has beaten her. Dale Cooper receives a phone call from Hawk Michael Horse about a one-armed man seen at Ronette Pulaski's hospital bed.
The next morning, Cooper gathers together Sheriff Truman Michael Ontkean , Deputies Hawk and Brennan Harry Goaz , and Lucy Moran Kimmy Robertson in a forest clearing to demonstrate his unusual approach to eliminating suspects from their investigation.
Each time he hits the bottle with a stone, he considers the previous name read out to be of interest to the case. Elsewhere, Leland Palmer Ray Wise , still mourning Laura's death, dances in his living room, sobbing and holding a portrait of Laura as he does so.
He breaks open the picture's frame, cutting his hands, as his wife Sarah Grace Zabriskie screams at him to stop.
Cooper retires to bed at his hotel room, and experiences a strange dream featuring the one-armed man, who identifies himself as MIKE, and BOB , who vows to "kill again".
Cooper then dreams he is in a room hung with red curtains. Anderson and Laura Palmer speak to him in a jarring and disjointed manner, before Laura leans over to whisper in his ear.
Cooper wakes up, telephones Harry, and declares that he knows who the murderer is. The Red Room seen in the episode's final scene was created from scratch by Lynch for the European release of "Pilot", and was not originally intended to be a part of the American series.
Lynch was so pleased with the result that he decided to incorporate it into the regular series.
The Red Room would later be revealed as a waiting room for the Black Lodge , a mystical dimension bordering the town of Twin Peaks.
Miguel Ferrer, who made his first appearance as Albert Rosenfield in this episode, had met Lynch while working on another film project that was also never made.
Ferrer found the scripts difficult to understand until Frost gave him a recording of "Pilot", which cleared up the actor's confusion.
Dialogue heard in the dream sequence uses a distinctive reversed manner of speech. This was achieved by recording the actors' line phonetically reversed, and playing this audio backwards.
David Lynch had begun experimenting with the technique in , and had originally planned to use it in his debut feature, Eraserhead , before it finally found use in this episode.
Frank Byers , the episode's director of photography , has stated that the chief inspiration for his choice to use wide-angle lenses and soft lighting throughout the episode was the Orson Welles film Touch of Evil.
When the setting was revisited in the series' second season, a set was built to represent another part of the building instead. Kimmy Robertson—who plays sheriff's office receptionist Lucy Moran—has described Lynch's directorial style as hypnotic, finding that his question-and-answer approach of discussing scenes with the cast was unique among directors she had worked with.
Kyle hit it, and everybody freaked out. It was like David used the power of the universe". The episode's reliance on surrealism has also been seen as symptomatic of "a broader move away from social realism within television drama".
The initial broadcast was viewed by The episode has been well-received critically. Writing for The Boston Globe , Gail Caldwell compared Lynch and Frost's script for the episode to the works of midth century American writers Sherwood Anderson , Flannery O'Connor and Truman Capote , describing it as an "excavation of the fear and madness poised behind an ordinary small-town veneer".
Caldwell also praised Lynch's direction, finding that several of the episode's "nerve-wracking" scenes lasted just the right amount of time to be effective, and noting that "the line between confronting the abyss and exploiting it is one Lynch walks again and again".
Club , Keith Phipps rated the episode an A, calling it "one of the most peculiar hours of television ever to air on a network".
He praised the episode's portrayal of the Black Lodge, called the dream sequence "some of the most disquieting filmmaking Lynch has ever done", and described its depiction as "a weirdly All-American supernatural system" that seems "completely terrifying".
Club writer Noel Murray felt that the episode pushed "into previously unexplored television territory", and that the climactic Black Lodge dream sequence came to be seen as "the signature moment in the entirety of Twin Peaks ".
Writing for AllMovie , Andrea LeVasseur rated the episode four out of five stars, called it "memorable and pivotal", and described the Red Room dream as "unforgettable".
Chaney described it, and the dream sequence specifically, as having "turned Twin Peaks into a water-cooler phenomenon ", and noted that it may have inspired later series such as The Sopranos and Lost to "feel comfortable taking risks with their audience".
The episode's ending was parodied in " Who Shot Mr. The backwards speech and unexplained shadow moving across a wall were included in the parody, which takes place in a detailed recreation of the Black Lodge.
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